BIBLIOGRAPHY

Ana Teresa Barboza. “Behind the Textile.” Accessed October 4, 2021. https://www.anateresabarboza.com/p/detras-del-textil.html

Artnet. “Started climbing the mountain.” Accessed September 28, 2021. http://www.artnet.com/artists/andy-goldsworthy/started-climbing-the-mountain-UG3b78F9KuzZrasdy6He7g2

Artsy. “Rodrigo Bueno, Untitled from the series Taken Furniture.” Accessed September 28, 2021. https://www.artsy.net/artwork/rodrigo-bueno-untitled-from-the-series-taken-furniture

Auckland Art Gallery Toi O Tāmaki. “Alfred Sharpe: A jam in the lava cleft, Hay's Creek, Papakura.” Accessed August 12, 2021. https://www.aucklandartgallery.com/explore-art-and-ideas/artwork/879/a-jam-in-the-lava-cleft-hays-creek-papakura?q=%2Fexplore-art-and-ideas%2Fartwork%2F879%2Fa-jam-in-the-lava-cleft-hays-creek-papakura

Azuma Makoto. “Shiki1 x Landscapes.” Accessed September 28, 2021. https://azumamakoto.com/412/

Ballard, Susan. “From the plant to the planetary: a natural science.” In The MECO Network, 100 Atmospheres: Studies in Scale and Wonder, 31-50. London: Open Humanities Press, 2019. http://www.openhumanitiespress.org/books/titles/one-hundred-atmospheres/

Carleton College. “What is Dendrochronology?” Accessed October 6, 2021. https://serc.carleton.edu/trex/students/labs/lab1_1.html

Durrant, Jacqui. “Odes of a Restless Spirit: John Pule.” ArtAsiaPacific. Accessed September 10, 2021. http://artasiapacific.com/Magazine/67/OdesOfARestlessSpiritJohnPule

Gabrys, Jennifer, “Sensing Lichens: From Ecological Microcosms to Environmental Subjects,” Third Text 32, no. 2-3 (May 4, 2018): 350–367. http://www.tandfonline.com/doi/abs/10.1080/09528822.2018.1483884.

Google Arts and Culture. “Lie of the Land.” Accessed August 25, 2021. https://artsandculture.google.com/asset/lie-of-the-land-bounpaul-phothyzan/rQEs9GCHo9q3sQ?hl=en

Johnny. “A Suspended Bonsai Installed Inside an Abandoned Power Plant.” Spoon & Tamago, June 14, 2015. Accessed October 5, 2021. https://www.spoon-tamago.com/2015/06/14/a-suspended-bonsai-installed-inside-an-abandoned-power-plant/

Katie West. “One square metre.” Accessed July 15, 2021. https://katiewularniwest.com/section/473776-One-square-metre.html

Liew Kian Yap. “Resonance of Nature.” Art Malaysia. Accessed October 4, 2021. http://www.artmalaysia.org/arttalk/detail/125/resonance-of-nature

Mathews, Andrew S. "Ghostly Forms and Forest Histories." In Arts of Living on a Damaged Planet: Ghosts and Monsters of the Anthropocene, eds Tsing, Anna, Heather Swanson, Elaine Gan, and Nils Bubandt, 145-156. Minneapolis; London: University of Minnesota Press, 2017.

McCartan, Mary. “Takashi Kuribayashi is just standing in front of one tree.” Lampoon Magazine, May 2, 2021. Accessed October 5, 2021. https://lampoonmagazine.com/takashi-kuribayashi-trees-art-installation/

Myers, Natasha. “How to grow livable worlds: Ten not-so-easy steps.” In The World to Come, edited by Kerry Oliver Smith, 53-63. Florida: Harn Museum of Art, 2018. https://www.academia.edu/40441118/How_to_grow_livable_worlds_Ten_not-so-easy_steps_published_version_

New-York Historical Society. “The Course of Empire: Desolation.” Accessed August 27, 2021. https://www.nyhistory.org/exhibit/course-empire-desolation-0

Pringle, Anna "Establishing New Worlds: The Lichens of Petersham." In Arts of Living on a Damaged Planet: Ghosts and Monsters of the Anthropocene, eds Tsing, Anna, Heather Swanson, Elaine Gan, and Nils Bubandt, 157–168. Minneapolis; London: University of Minnesota Press, 2017.

Rice, Rebecca. “Colonisation versus conservation: a colonial view.” Enjoy Gallery. Accessed August 9, 2021. https://enjoy.org.nz/publishing/the-occasional-journal/the-dendromaniac/colonisation-versus-conservation-a-colonial-view#article

Rose, Deborah Bird. "Shimmer: When All You Love Is Being Trashed." In Arts of Living on a Damaged Planet: Ghosts and Monsters of the Anthropocene, eds Tsing Anna, Swanson Heather, Gan Elaine, and Bubandt Nils, 51-63. Minneapolis; London: University of Minnesota Press, 2017. Accessed July 19, 2021. http://www.jstor.org/stable/10.5749/j.ctt1qft070.7.

Sharpe, Alfred. “Picturesque New Zealand. Notes by an artist and tourist off the beaten track.” Illustrated Sydney News, January 3, 1891: 18. Quoted in Rice, Rebecca. “Colonisation versus conservation: a colonial view.” Enjoy Gallery. Accessed August 9, 2021. https://enjoy.org.nz/publishing/the-occasional-journal/the-dendromaniac/colonisation-versus-conservation-a-colonial-view#article

Singapore Art Museum. “The Bomb Ponds.” Accessed September 11, 2021. https://www.singaporeartmuseum.sg/about/our-collection/the-bomb-ponds

Takashi Kuribayashi. “Works.” Accessed October 5, 2021. https://www.takashikuribayashi.com/works

Thomas, Nicholas (ed). Hauaga: The Art of John Pule. Dunedin: Otago University Press, 2010.

Tim Knowles. “Circular Weeping Willow.” Accessed October 4, 2021. http://www.timknowles.co.uk/Work/TreeDrawings/CircularWeepingWillow/tabid/266/Default.aspx

van Dooren, Thom, Eben Kirksey, and Ursula Münster. “Multispecies Studies: Cultivating Arts of Attentiveness.” Environmental Humanities 8, no. 1 (May 2016): 1–23. https://doi.org/10.1215/22011919-3527695.

West, Katie. “My art is a personal antidote for the effects of colonisation.” IndigenousX. Accessed October 5, 2021. https://indigenousx.com.au/katie-west-my-art-is-a-personal-antidote-for-the-effects-of-colonisation/

Wet Tropics Management Authority. “Rainforest structure.” Accessed October 5, 2021. https://www.wettropics.gov.au/rainforest-structure