EXHIBITION GROWTH CHART

Exhibition Growth Chart

This is a visual representation of the sequence of experiences within the exhibition.

ROOTS

We have grown tall. Having ascended with us, can you now see the world in a new way? No longer blinded by your own eyes, which are made fresh by the climb, you see a new day dawning.

UNDERSTORY

Have the memory. Hold it. Hold it. Stronger and longer than they ever could.

CANOPY

Disrupt the traditions. The structures that frail human hands have built to hold their memory. We will overrun, hold those memories, and so much more.

suspended-bonsai-tree-inside-an-abandoned-power-plant-by-azuma-makoto-1.jpeg

Tim Knowles, Tree Drawing - Weeping Willow on circular panel [100 pen], 2005.png

5. Thomas Cole, The Course of Empire; Desolation, 1836.jpg

ARTWORK REFERENCES

Thomas Cole, The Course of Empire: Desolation, 1836. Collection of the New-York Historical Society, gift of the New-York Gallery of the Fine Arts.

Image Sourced from www.nyhistory.org/exhibit/course-empire-desolation-0

Alfred Sharpe, A jam in the lava cleft, Hay's Creek, Papakura, 1878. Collection of Toi O Tamaki Auckland Art Gallery.

Image Sourced from www.aucklandartgallery.com/explore-art-and-ideas/artwork/879/a-jam-in-the-lava-cleft-hays-creek-papakura?q=%2Fexplore-art-and-ideas%2Fartwork%2F879%2Fa-jam-in-the-lava-cleft-hays-creek-papakura

Rodrigo Bueno, Untitled, from the series "Taken Furniture", 2016. Location unknown.

Image Sourced from www.artsy.net/artwork/rodrigo-bueno-untitled-from-the-series-taken-furniture

Andy Goldsworthy, STARTED CLIMBING THE MOUNTAIN, 1987. Location unknown.

Image Sourced from www.artnet.com/artists/andy-goldsworthy/started-climbing-the-mountain-UG3b78F9KuzZrasdy6He7g2

Katie West, One square metre, 2018. Durational work (dismantled, plants now growing in a local garden in Melbourne).

Image Sourced from katiewularniwest.com/section/473776-One-square-metre.html

Bounpaul Phothyzan, Lie of the Land, 2017. Collection of Singapore Art Museum.

Image Sourced from artsandculture.google.com/asset/lie-of-the-land-bounpaul-phothyzan/rQEs9GCHo9q3sQ?hl=en

Vandy Rattana. Takeo, 2009, digital C-Print. Collection of the artist and Singapore Art Museum.

Image Sourced from www.singaporeartmuseum.sg/about/our-collection/the-bomb-ponds

Azuma Makoto, Shiki1 × Power Plant, 2015. Location unknown.

Image Sourced from azumamakoto.com/412/

Ana Teresa Barboza, Twist, 2018. Location unknown.

Image Sourced from www.anateresabarboza.com/p/detras-del-textil.html

John Pule, Atahelagi / A clear view of the heavens, 2006. Private Collection.

Image Sourced from Nicholas Thomas (ed). Hauaga: The Art of John Pule. Dunedin: Otago University Press, 2010.

Takashi Kuribayashi, Trees, 2015, Collection of Singapore Art Museum.

Image Sourced from www.takashikuribayashi.com/works

Tim Knowles, Tree Drawing - Weeping Willow on circular panel [100 pen], 2005. Location unknown.

Image Sourced from www.timknowles.co.uk/Work/TreeDrawings/CircularWeepingWillow/tabid/266/Default.aspx